Luv Foundation (UK) team up once again with Avohee Avoher on the afrobeat smash MALAMI fusing hints of African beats and ethereal middle eastern vocals. This is the follow up to the current anthem Forever Together and showcases the great collaboration between the two artists. Avohee Avoher meanwhile charted #4 Traxsource Electro House Chart pre release with his original version of Malami 31-10-25 and was also added to Betport Best New MainStage. This is a sensual banger that needs to be heard. generating waves across the global dance scene already.

Avohee Avoher and LUV Foundation (UK) join forces for the electrifying new release, “Malami Remix” - a hypnotic fusion of Afrobeat rhythms, deep electronic energy, and seductive Middle Eastern vocal textures already generating serious momentum across the global dance scene.

Following the success of their previous collaborations, “Forever Together” and Christmas Magic Near & Far the two artists once again showcase their unmistakable creative chemistry, blending underground club culture with cinematic emotion and international sonic influences.

The original version of “Malami” by Avohee Avoher made an immediate impact prior to release, charting at #4 on the Traxsource Electro House Chart on 31.10.25 through pure DJ support and organic demand alone. The track also received recognition from Beatport with inclusion in Best New MainStage.

Now reimagined alongside LUV Foundation (UK), “Malami Remix” transforms the track into a powerful late-night anthem - sensual, atmospheric, tribal, and emotionally charged. Pulsating percussion, ethereal melodies, and infectious grooves combine to create a record equally suited to underground dancefloors, beach festivals, and peak-time international sets.

With support already building among DJs and tastemakers worldwide, “Malami Remix” stands as another bold release from two artists continuing to push boundaries within the modern electronic landscape.

Avohee Avoher x LUV Foundation (UK) - Malami Remix  

A sensual global dance anthem already making waves worldwide.

Avohee Avoher continues the rollout of 12V, a collection of twelve cinematic piano works, with the release of Noema.

Conceived as a sequence of emotional voltages, 12V explores distinct psychological states through a refined neoclassical language. Each piece is designed to offer the listener space to step away, to sit with the music, and to reconnect with their own emotional landscape. Rather than dictating meaning, the project invites interpretation, allowing each listener to find something personal within it.

Noema draws the listener in with a fluid, expressive melodic line that feels immediate and open. Beneath its surface, subtle shifts begin to form, creating a sense of tension that gradually tightens. As the piece develops, it expands into more powerful harmonic passages, building pressure and emotional weight while maintaining control. It is both immersive and emotionally gripping, holding the listener in a space that resists simple definition.

The official video reflects this same philosophy. Built around fragments of memory drawn from the artist’s own internal world, it presents a sequence of human moments and symbolic imagery that move between connection, distance, and quiet disruption. The visuals do not follow a fixed narrative. Instead, they unfold as an interpretive experience, allowing the audience to project their own meaning onto what they see and feel.

As part of the ongoing 12V release cycle, each work introduces a different tone and visual identity, forming a body of work that evolves with each release. Noema stands as one of the more emotionally charged pieces within the series, balancing beauty with underlying tension.

INTU!TION is the electrifying new collaboration between Mark Loverush and Avohee Avoher, debuting with their first single, “DOMINATION.” A haunting progressive house cut, the track nods to the emotive depth of The Beloved, Way Out West, and Faithless, blending a sweeping Balearic energy with a storytelling vocal that pulls listeners in from the first beat to the last.

INTU!TION represents a meeting point between legacy and future - delivering forward-thinking dance music rooted in experience, emotion, and undeniable atmosphere.

Avohee Avoher unveils mainstage EDM anthem “La Noche Resonaba” via AVO Records

AVO Records announces the upcoming release of “La Noche Resonaba”, the new single from composer and producer Avohee Avoher, arriving Friday 10 April. The track is available now to DJs on pre-release, positioning itself as a powerful Spring / Summer festival and club anthem.

Designed for international mainstage energy, La Noche Resonaba blends cinematic electronic production with hypnotic bilingual vocals, drawing listeners into a dark, seductive world where rhythm, tension and release collide on the dancefloor.

The production is driven by pulsating analogue synth lines, deep rhythmic architecture and soaring festival-ready drops, creating a track that moves seamlessly from underground club environments to large-scale festival stages. Spanish and English vocal passages add a mysterious nocturnal atmosphere, echoing the emotional intensity of late-night Ibiza dancefloors.

Behind the project is Avohee Avoher, a classically trained composer whose musical background informs the scale and precision of his productions. His work merges the discipline of classical composition with modern electronic sound design, resulting in powerful dance records that carry both musical depth and high-impact club energy.

With its hypnotic groove, cinematic tension and festival-sized dynamics, La Noche Resonaba is built to become a global Spring / Summer dancefloor moment, resonating across clubs, festivals and DJ sets worldwide.

Artist: Avohee Avoher

Track: La Noche Resonaba

Label: AVO Records

Genre: Mainstage EDM

DJ Pre-Release: Available now

Official Release: Friday 10 April

For press enquiries, interviews or promotional requests:

AVO Records / World Star PR 

Thrilled to announce the next release from Avohee Avoher's neoclassical piano Album releases on 30th March. 

Tremura unfolds with quiet precision, driven by a recurring melodic figure that feels both insistent and elusive. Built on a steady underlying pulse, the piece moves with a hypnotic momentum, measured, controlled, yet emotionally charged.

At its core lies a sense of duality. The melody presents itself clearly, almost confidently, yet each repetition carries a subtle shift in weight and intention, as though something is being revealed and withheld at the same time. Phrases echo and respond to one another in delicate symmetry, creating the impression of an internal dialogue, refined, intricate, and unresolved.

Beneath this structure, something more human begins to surface. The feeling of sensing that something is not quite right, without being able to name it. The quiet dissonance between what is shown and what is felt. Not a dramatic rupture, but a slow, internal realisation, subtle, persistent, and difficult to ignore.

There is a haunting quality beneath its surface. Not overtly dark, but quietly unsettling. The interplay between hands, sometimes unified in the upper register, sometimes grounded by resonant octaves below, creates tension between lightness and depth, clarity and concealment. The arpeggiated passages introduce a sense of movement beneath the structure, like emotion circulating just out of reach.

Tremura does not dramatise deception. It embodies it. Not as shock or betrayal, but as something more restrained, an emotional misalignment, a truth that shifts depending on where you stand. The music remains composed, even as something uncertain unfolds beneath it.

As part of 12V, the cycle of twelve emotional voltages, Tremura occupies a space of quiet complexity. It reflects the moments where understanding arrives too late, or only partially, where clarity exists, but never fully settles.

It lingers not because it resolves, but because it doesn’t.

Orane moves with the quiet authority of something deeply felt and carefully held.

Built on a restrained, repeating piano figure, the piece unfolds like a current, steady, continuous, and emotionally precise. It does not rise for effect or collapse into sentiment. Instead, it flows forward with calm insistence, allowing meaning to surface through repetition, space, and subtle variation.

At its core, Orane carries a sense of gratitude without declaration. There is warmth here, but it is understated. A recognition of human gentleness, presence, and grace, expressed not through melody that pleads, but through one that persists. The music feels less composed than allowed to happen, as though it is moving through the listener rather than toward them.

The emotional weight of Orane lies in its restraint. Each return of the theme feels slightly altered by touch, by breath, by time, mirroring the way emotion settles and reshapes itself rather than resolving cleanly. It is reflective, dignified, and quietly resilient.

As the seventh piece in 12V, Orane occupies a pivotal emotional register within the cycle. Neither dark nor triumphant, it represents continuity. The sense that something carries on. That meaning can exist without explanation. That beauty does not require spectacle to endure.

Orane does not demand attention.

It remains, flowing, present, and deeply human.

Let Him is an ethereal, delirium-like work that blurs the boundaries between classical music, sacred invocation, and modern rhythm. Built on a hypnotic dance pulse, it weaves spoken word, Latin fragments, operatic and Arabic vocals into a deeply immersive soundscape. The piece invites the listener into a state of surrender - where falling, fracturing, and exile are not endings, but gateways to self-recognition. Lush, haunting, and strangely addictive, Let Him encourages profound emotional release and introspection, allowing each listener to reflect on their own life’s ruptures, transformations, and quiet moments of becoming. Let Him is an initiation piece - a ritual of collapse and becoming. It frames exile not as failure but as origin, portraying the outsider as the first to see clearly. Through spoken invocation, Latin fragments, operatic and Arabic voices, and a relentless dance pulse, the track explores the idea that beauty is forged through fracture, not perfection. Falling, kneeling, and breaking are not punishments here, but necessary stages of transformation. Time dissolves, identity spirals, and what remains is the soul rising through ruin - altered, sovereign, and awake. But of course one's state of mind and all of this is open to interpretation - Enjoy !

AVERNE unfolds as a quiet act of resolve.

It moves with controlled intensity, drawing the listener into a state where emotion deepens rather than explains itself. Subtle tension gives way to moments of force, then recedes again, creating a sense of motion without urgency, depth without excess.

As part of 12V, Averne captures an inner turning point, the moment when something is accepted, chosen, and carried forward. It does not ask for attention. It earns it, unfolding patiently, leaving space for reflection while holding the listener in its grip.

This is music for immersion.

For listening inward.

Avohee Avoher Releases “Avohee Meets Vivaldi”

A Cinematic Collision of Baroque Power and Modern Dance Energy

Release Date: Friday 23 January

Antonio Vivaldi was never background music. He wrote motion, weather, tension and breath into sound. His compositions surged forward, driven by propulsion, drama and emotional release. More than three centuries later, that same engine is reignited through Avohee Avoher’s latest release, Avohee Meets Vivaldi, from the Addicted to Classics series.

This is not a quotation of the past. It is an evolution of it.

Avohee Meets Vivaldi is a bold reimagining of Winter from The Four Seasons, fused with modern dance architecture, operatic choral weight and cinematic intensity. Where Vivaldi wrote for violins and ink, Avohee writes for frequency, pulse and nervous system response. The result is immediate, visceral and immersive.

Baroque obsession meets modern production discipline. Choral fire collides with hypnotic rhythm. Operatic drama is restructured into cycles, builds and releases designed for contemporary movement and emotional impact. This is classical music translated for the body as much as the mind.

Vivaldi understood momentum. Music that never stands still. That relentless forward motion lives inside this release. Patterns loop like seasons returning. Tension rises, release is earned. The drama is staged, not polite. Sound is not decoration here. It acts.

Avohee Meets Vivaldi is sensual, hard-edged, haunting and unapologetically powerful. It is classical intensity rebuilt for the dance floor. Emotional, cinematic and absolutely relentless in energy.

This release forms part of Addicted to Classics, a project dedicated to translating the raw engines of classical composition into modern sonic experiences without dilution or nostalgia. Innovation here is not a break from history. It is its next movement.

In Avohee’s hands, Vivaldi does not echo. He evolves.

Avohee Meets Vivaldi is released worldwide on Friday 23 January.

VOLURE from 12V is released on 30 December, marking the final single of 2025.

This is not an ending, only the last release of the year. 12V continues into 2026. Since the launch of this project five months ago on 4 July, Independence Day, the journey has unfolded with consistency, intent, and forward motion. The work has remained focused and deliberate, and what comes next is already taking shape.

VOLURE is one of twelve emotional voltages that shape 12V. It explores longing, distance, and interior space. It speaks to the ache of having almost everything, yet still feeling incomplete.

This piece invites quiet introspection. It sits with unnamed desire, unresolved connection, and a tenderness that asks for courage rather than certainty. In a world that rarely slows, VOLURE offers stillness and presence, without explanation or resolution.

A very Happy, healthy and prosperous New Year to you all - where music comes first !